PRACTICE

Deconstructing his experience of dance training from a queer point of view, Andrew Champlin’s projects are shaped by the facets of his performative practice, namely, being on stage and preparing to be on stage.

Expressed through experimental film and live performance, Andrew’s choreography grapples with discipline, time, gender, clumsiness, beauty and monsters.

Imagery: (top) filmed improvisation with eyes closed; (above) sample cinematography illustration, film stills and studio showing still.